Musician Cooperativism At Groupmuse
I am a cellist and worker-owner of a cooperative. As an ICDE fellow, I hop out of my usual action-oriented work to reflect on why cooperativism is an alternative to the status quo for freelancing musicians. As a professional cellist, I witnessed the infrastructural fractures that musicians in the United States have to navigate. In 2020, I returned to the U.S. from a year of studying in France, after contemplating during quarantine about the economics of working as an artist. One important question I wanted to solve: Rather than competing with my colleagues for limited paid gigs, how can I generate new opportunities and resources with them?