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Cultural heritage

Indigenous Women Are Defending Weavings From Cultural Appropriation

The vibrant colors of the Indigenous weavings from Guatemala that appear on the traditional blouses known as huipiles, skirts and other items hold a deep symbolic meaning for communities across the Central American country, but they are also deeply intertwined with the promotion of tourism in Guatemala. The intricate designs greet tourists in promotional material at the airport, and companies and non-government organizations have sought to capitalize on the designs. For the last six years, Indigenous women have sought to challenge the exploitation of their sacred designs through the promotion of legislation that would protect their collective intellectual property rights. On Sept. 5, the Women’s Association for the Development of Sacatepéquez, or AFEDES, and the weavers of the Ruchajixik Ri Qana’ojbäl **movement, which means Guardians of Our Knowledge in the Kaqchikel language, presented their latest proposal for a law that would protect their weavings.

Sweet (And Sticky) Redemption

There is no U.S. agricultural history without the expertise and labor of African people who were enslaved across the South, including the Gullah/Geechee people of the lower Atlantic Coast. But the violence of slavery and white supremacy is tied up with the crops that grew the global economy, embedding sugarcane, cotton, rice, and other historic commercial crops with a traumatic legacy. For the Sapelo Island community—which includes the largest and most intact population of Gullah/Geechee descendants left in the U.S.

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Due to the attacks on our fiscal sponsor, we were unable to raise funds online for nearly two years.  As the bills pile up, your help is needed now to cover the monthly costs of operating Popular Resistance.

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