People Are Protesting The Desecration Of A Historic Black Cemetery
This summer, on an industrial and commercial section of River Road near the Capital Crescent Trail in Bethesda, you can regularly find area musician Brian Farrow in the roadway playing “Potter’s Hornpipe,” a song written by Black composer Francis Johnson in 1816 in honor of a destroyed African American cemetery. Nearby, protestors hold signs that say “Black Ancestors Matter” and “Black Lives Matter from Cradle to Grave,” while Marsha Coleman-Adebayo of the Bethesda African Cemetery Coalition and Macedonia Baptist Church leads chants of “Save Moses Cemetery!”