Arts

Tonight! ‘HoneyBeeLujah’ Campaign Launches In Times Square

April 17, 2014 Blake Zidell, target="_blank" >www.popularresistance.org Organize! Arts, Environment, GMOs, Pesticides

Reverend Billy & The Stop Shopping Choir, who first rose to international attention for their music-based challenge to consumerism, have turned their attention to big corporations’ role in climate disruption. They take up the plight of the Honey Bee in their new campaign, HoneyBeeLujah!, which launches with an hour-long action this Thursday, April 17, in Times Square. The event will begin in front of the U.S. Armed Forces Times Square Recruiting Station at6pm with the Reverend delivering the Choir’s new manifesto. Then the activist-performers, adorned and accompanied by hundreds of Honey Bees handmade by Savitri D. and the Choir, will move throughout what Reverend Billy calls the “Stonehenge of Logos” at New York’s most famous intersection.

Carry It On Tour: Anne Feeney and Evan Greer

April 15, 2014 Anne Feeney and Evan Greer, www.creativeresistance.org Organize! Arts, Creative Resistance

The Carry it On Tour features Anne’s bottomless backpack of hellraising songs, given new energy by Evan’s skillful accompaniment on a veritable arsenal of acoustic instruments. Greer’s catchy and original folk-punk anthems shine with the addition of Anne’s soaring harmony vocals. The two have been touring together for more than a decade — since Evan was just a teenager — and their dynamic stage performance, which ranges from hilarious to serious, will instantly and permanently change the opinion of anyone who has ever thought that political music has to be boring. Based in Pittsburgh, PA, Anne Feeney is the granddaughter of an intrepid mineworkers’ organizer, who also used music to carry the message of solidarity to working people. Evan Greer is an LGBTQ parent, organizer, and multi-instrumentalist who writes fearless and dangerously catchy original songs that inspire hope and incite resistance.

Radical Quilting: Contribute To The Drones Quilt Project

April 13, 2014 Staff, www.creativeresistance.org Resist! Arts, Creative Resistance, Drones, Wars and Militarism

The Drones Quilt Project is currently on tour across the USA. The exhibit consists of 3 to 5 quilts of 36 blocks, each measuring 66″ x 66″, four information panels measuring 20″ x 30″ each, and a resource/take action handout. We hope to have the exhibit travel the country, so if you are interested in hosting the exhibit in your town, please contact us. Check the website to see when the exhibit is coming to a town near you. The idea for a Drones Quilt came from some women in the UK who started the project as a way to memorialize the victims of U.S. combat drones. We believed that there were lots of anti-drone activists in the U.S. who would like to make our own version of a Drones Quilt, and so the idea traveled across the Atlantic. The idea is to collectively create a piece of artwork which connects the names of activists with those killed. The names humanize the victims and point out the connectivity between human beings. Plans for the American version of the quilt include creating educational materials, photographs and information which together with the quilts will create an exhibit which will travel the country, informing and educating the American public.

In An Era Of Mass Species Die-Off: A Procession Of The Species

April 12, 2014 Staff, www.creativeresistance.org Resist! Arts, Creative Resistance, Earth Day to May Day, Environment

From CreativeResistance.org: The Procession of the Species is a joyous, spontaneous artistic pageant where community members celebrate their relationships with each other and with the natural world. Within the activist world it can be written off because one of the demands is “no words”, but the people who founded it are deep activists and present that demand as a challenge to think outside the box. . . The Procession seeks to bridge the arts, the environment, and our local community. As a celebration of art, it involves citizens in a creative process affirming art’s place in the forum of public expression. As a celebration of species, it awakens public sensibilities to the issues surrounding environmental awareness and protection. . . Procession of the species started in Olympia WA and has spread to 69 locations throughout the US and across the globe. See this page to find a POS near you.

Indigenous Artist Gregg Deal On ‘Redskins’ Name Controversy

April 11, 2014 The Stream, www.america.aljazeera.com Resist! Arts, Indigenous Rights, Racism

My desire was to say something that hasn't been said, including a perspective not brought to the table. Everyone wants to make this an 80-year issue, but it's not. It's a 522-year issue. The issues that are being talked about with the football issue actually span back to 1492. So to put into perspective an American Genocide, something any indigenous person would tell you is a real thing, and juxtaposing that with the ridiculous notion of 'honor' or 'reconciliation' through racial slurs and gross misrepresentation of indigenous people through caricatures seemed the right thing to do. Northeast D.C. has residents that are true locals of the city, and who have generations of family that have lived here. Many are fans of the football team. For me to have a piece like that in this area is provocative because of the history of the team in this part of the city. I

“Mercy Killers” Tour Sidesteps Corporate Theater

April 10, 2014 Corporate Crime Reporter, www.corporatecrimereporter.com Create! Arts, Creative Resistance, Health Care

From CreativeResistance.org: Mercy Killers is a remarkable one hour, one man play written and performed by Michael Milligan. It’s about a libertarian car mechanic whose wife gets sick and things quickly go downhill. Mercy Killers takes place in the interrogation room of a police station. Milligan is taking Mercy Killers to community theaters and even smaller community spaces around the country. The audiences are brought to tears. At the end of the play, Milligan engages with the audience and then passes the hat. He averages a couple of hundred dollars — enough to get him to the next town. But Mercy Killers is being kept out of mainstream theater spaces — mostly because of corporate influence. Mercy Killers shows a regular guy driven to the edge by the current medical insurance industrial complex. But the unspoken message of the play is — we need to get rid of private for profit health insurance. Thus the built in conflict with the big theater spaces.

Rebranding The Guggenheim As Labor-Exploiting 1% Museum

April 1, 2014 Staff, www.creativeresistance.org Resist! Arts, Creative Resistance, Worker Rights and Jobs

From CreativeResistance.org: Members of Gulf Ultra Luxury Faction (G.U.L.F.) joined by the OWS Illuminator occupied the facade of Guggenheim Museum in Uptown Manhattan for over 40 minutes. G.U.L.F. rebranded the Guggenheim’s flagship museum in protest of complicity at the ill-treatment and economic exploitation of migrant workers in Abu Dhabi who are beginning to build the new Frank Gehry-designed Guggenheim on Saadiyat (aka ‘Island of Happiness’. G.U.L.F.’s act of messaging solidarity follows recent reports from Human Rights Watch, as well as investigative findings from members of the Gulf Labor Coalition (some of whom overlap with G.U.L.F.) who have just returned from a fact-finding mission in Abu Dhabi where where they visited several worker camps and spoke with workers. They confirmed a reality that is the opposite of happy: multiple labor violations, generated by a system built on human suffering and debt bondage.

Protest Rains Thousands Of Bills In Guggenheim

March 31, 2014 Mostafa Heddaya, www.hyperallergic.com Resist! Arts, Worker Rights and Jobs

A handheld bell sounded in the rotunda of the Guggenheim Museum in New York, signaling the second protest action in as many months from the Global Ultra Luxury Faction, or G.U.L.F. The ringing was followed by the release of 9,000 “1%” bills of parodic currency which fluttered downward as patrons rushed to the inner edge of Frank Lloyd Wright’s spiral ramp. But unlike G.U.L.F.’s intervention at the museum late last month, there were no shouted demands or Occupy-style mic checks — the only sound that could be heard after the bills were released was the collective gasp of the hundreds of patrons who packed the museum, where lines for entry wrapped around the block (Saturdays are a free night). Posters and bills were also placed in the museum’s bathrooms and later posted in a number of the city’s subway stations and trains.

Remi Kanazi On BDS And ‘Hurt Feelings’

March 7, 2014 Alex Shams, www.maannews.net Create! Apartheid, Arts, BDS, Palestine

"This Divestment Bill Hurts My Feelings" is a video collaboration with Palestinian director, animator, and co-founder of Palestinian hip-hop group DAM, Suhel Nafar. The video, based on a poem I wrote, attempts to deconstruct and debunk the spurious arguments against divestment on college campuses. Integrating animation, typography, and motion graphics, we attempted to present a visually stimulating experience, while concretely laying out the case for divestment. Zionist students on campus inspired the title. In an effort to derail divestment resolutions, students would often profess that divestment "hurt their feelings." My hope is that the video educates, pushes people to act, sways people on the fence, and ultimately serves as a resource for those promoting divestment on campus."

The Joy and Resolve of a Movement Built on Creative Resistance

March 5, 2014 Staff, www.PopularResistance.org Create! Arts, Climate Change, Finance and the Economy, Human Rights, TPP

In 2011, when occupy encampments exploded across the United States putting the issue of the unfair economy and corruption of Wall Street on the political agenda, there was also an explosion of activist art. Beginning with the iconic image of the ballerina on top of the Wall Street Bull, art has been central to occupy and was an important reason for its powerful impact. The explosion of arts activism involves a wide variety of artistic forms: puppets, balloons, music, meme’s, posters, banners, plays, street theater, poetry, animation and light displays among others. Art has added vitality and energy to advocacy; and it reaches people at deeper emotional levels and in their hearts conveying what cannot be said with mere facts.

Arts Organizing Helped Defeat Alabama Anti-Immigration Law

February 6, 2014 Levana Saxon, www.wagingnonviolence.org Organize! Arts, Immigration, Racism

The community and the community organizing had a big role. One of the main arguments in court was that there is not proof of racial profiling, so community members organized people to call SPLC’s hotline with their stories and build a case against the state. It was really a lot of the community pushing to get SPLC to get cases to then present to a court. What happened right now was a victory through the judicial process. But the SPLC has always looked to the community, and the community has always seeded cases to them. Art making became really central to how I approached community building. In Tuscaloosa, we started banner making as a form of identification and education. People who worked at thrift stores would bring sheets. I’d bring cardboard from dumpsters. Kids would paint while the parents would do the letters. We used a lot of handprints — butterfly and flower handprints — so that the whole families could get involved. We would make them at my house or at the Catholic church. Then we’d drive around with signs on our cars to announce that there would be a rally in Montgomery. The bus would come, and we’d all pile in.

Idle No More — The Movement And The Music

January 31, 2014 Ariana Miller, www.travois.com Create! Arts, Idle No More, Indigenous Rights

Idle No More began as a series of teach-ins protesting legislation that would erode indigenous sovereignty. To support the movement, many tribal members within the United States have also held rallies — most recently in California, Oregon and Montana in November 2013, with others occurred in Washington, D.C. and several other states across the country and around the world. Other shows of support have come from musicians, Native and non-Native alike, resulting in the compilation album “Idle No More: Songs for Life, Volumes 1 & 2.” I listened to the second volume. The Indian Handcrafts open the album with the fun and energetic rock piece, “Red Action.” Surprising is the fact that their big sound comes from only two band members, drummer Brandon Aikins and guitarist Daniel Allen, who both add their vocals to the mix. They have an equally big message that might be easily overlooked as one bops to the drumbeat: “It shouldn’t be surprising — the spirits here were born for uprising” and “What time is it? It’s time for red action!”

‘Last Kiss’ Graffiti Artist Busted Again

January 30, 2014 Bob Fredericks and Kirstan Conley, www.nypost.com Resist! Arts

Russell Murphy – who was once famously photographed kissing his gal pal while the pair were handcuffed following an earlier graffiti bust – was nabbed shortly after 1 a.m. in the East Village. Murphy and his girlfriend Alexis Creque were photographed in a lip lock in August 2012 by Brooklyn photographer Mo Gelber after they were arrested for tagging a building. Murphy pleaded guilty in January 2013 to criminal mischief and possession of a graffiti instrument for tagging the side of a Lower East Side building where the eatery Milk and Honey was located. He was ordered to serve eight days of community service. Also busted Wednesday were Akili Baez, 21, Carmen Lasala-Ayres, 26, and Robin Drysdale, 34, all of Brooklyn; and Luis Santana, 20, of Staten Island, cops said.

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