The Art Of Keeping Guantánamo Open
By Erin L. Thompson for Tom Dispatch - We spent the day at a beach in Brooklyn. Skyscrapers floated in the distance and my toddler kept handing me cigarette filters she had dug out of the sand. When we got home, I checked my email. I had been sent a picture of a very different beach: deserted, framed by distant headlands with unsullied sands and clear waters. As it happened, I was looking not at a photograph, but at a painting by a man imprisoned at the Guantánamo Bay detention camp. Of the roughly 780 people once imprisoned there, he is one of 41 prisoners who remain, living yards away from the Caribbean Sea. Captives from the Bush administration’s Global War on Terror began to arrive at that offshore prison in January 2002. Since Guantánamo is located on a military base in Cuba and the detainees were labeled“alien enemy combatants,” they were conveniently to be without rights under either United States or international law and so open to years of whatever their jailers wanted to do to them (including torture). President Barack Obama released 197 of them in his years in office, but was unable to fulfill the promise he made on his first day: to close Guantánamo. The man whose painting I saw has been held for nearly 15 years without trial, without even having charges filed against him. The email came from his lawyer who had volunteered to defend a number of Guantánamo detainees.